Some projects begin with a name that already suggests more. Others arrive as a blank page. Either way, this approach to the work starts by looking for what’s underneath—what the music evokes, remembers, or reveals. That might take the form of a recurring symbol, a visual prophecy, or a quiet metaphor that’s never explained but deeply felt.This way of thinking treats design not as storytelling’s surface—but as its structure. A place where lament can become a chorus, or history can be reframed as mythology. The result is work that doesn’t just look the part—it carries weight, it deepens meaning, and it invites the audience to feel something they already knew but hadn’t yet seen.
This approach appears throughout the work. You might want to start with: